I have been writing choral music for quite a while now. It took me several years before I worked up the nerve to send something to a publisher. I wasn’t expecting much because I’d always been told not to expect much with your first composition.
So, I wasn’t terribly shocked by the rejection letter. It hurt, but wasn’t surprising.
What was surprising was that the rejection letters kept coming. And coming. And coming. I now have a healthy stack of letters and emails saying, “thank you, but no thank you.” Some are quite polite, others are quite blunt. Very rarely is there any feedback besides, “We enjoyed your composition, but it doesn’t fit our needs.” No way to know what they didn’t like. No way to fix it to make it better.
So, here’s my point.
I compose for fun. I compose for choirs. I don’t compose for publishers. I’ve had to come to grips with not being published (while continuing to search), but have had to come up with ways to keep myself composing. These are my five tips for those that might find themselves in the same boat.
Composer, Choral Conductor, DMA Student,